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Just little oddities

50,907 notes

brandx:


Young Dad Wins Back Custody of Child Adopted Without Consent

26-year-old Jeremiah Sampson waged a three-year court battle that forced him to drop out of college to pay for legal expenses in gaining custody of his child.
Sampson drove five hours to Rolla, Mo., once or twice a week for more than six months to challenge the adoption in court. The adoptive parents threw a towel over the baby’s head in court, refusing to let him look at his birth father.
Born and raised in Coweta, Oklahoma, Sampson had four older brothers, three sisters and a mother who worked two jobs to support them all. He didn’t meet his father until he was 13 and hasn’t seen him much since. “I would never do that to my own flesh and blood,” Sampson said. “I would never walk away from my own child.”
Sampson is now suing the adoption agency for violating his parental rights by going ahead with the placement even after he objected.
Source: Tulsa World


THIS IS MONUMENTAL IF YOU KNOW ANYTHING OF THE ADOPTION INDUSTRY’S ALL OUT GLOBAL ASSAULT ON BLACK FAMILY PRESERVATION OMG LOOK AT THIS GLORIOUS DUO LOOK AT THIS GLORIOUS RULING I CANNOT CONTAIN MY EXCITEMENT /capslock!orphan X

brandx:

Young Dad Wins Back Custody of Child Adopted Without Consent

26-year-old Jeremiah Sampson waged a three-year court battle that forced him to drop out of college to pay for legal expenses in gaining custody of his child.

Sampson drove five hours to Rolla, Mo., once or twice a week for more than six months to challenge the adoption in court. The adoptive parents threw a towel over the baby’s head in court, refusing to let him look at his birth father.

Born and raised in Coweta, Oklahoma, Sampson had four older brothers, three sisters and a mother who worked two jobs to support them all. He didn’t meet his father until he was 13 and hasn’t seen him much since.

“I would never do that to my own flesh and blood,” Sampson said. “I would never walk away from my own child.”

Sampson is now suing the adoption agency for violating his parental rights by going ahead with the placement even after he objected.

Source: Tulsa World

THIS IS MONUMENTAL IF YOU KNOW ANYTHING OF THE ADOPTION INDUSTRY’S ALL OUT GLOBAL ASSAULT ON BLACK FAMILY PRESERVATION OMG LOOK AT THIS GLORIOUS DUO LOOK AT THIS GLORIOUS RULING I CANNOT CONTAIN MY EXCITEMENT /capslock!orphan X

(via one-billion-years-dungeon)

42,803 notes

darebearlee:

josiephone:

josiephone:

Okay guys, I’m going to get serious for a minute. If you’re not in Ireland at the moment, you may not know about the situation regarding the laws on abortion. It is completely illegal, even in cases of rape, incest, fatal foetal abnormality, and other such things. Women have died in this country because inability to have an abortion put strain on their health. A woman who wasn’t even Irish begged for an abortion because her child was about to die in the womb. The complications arising from her case resulted in her contracting septicaemia, organ failure, and tragically dying. In 1992, the X Case took place, involving a 14-year-old girl, knowns only as x, who became pregnant after being raped. Instead of offering help to the girl, who because suicidal, they prevented her from travelling out of the country for an abortion.Any Irish woman* who needs an abortion has to travel to the UK, which means if you don’t have the money, you’re out of luck. What does the Irish Government have to say about this?Well, recently the UN confronted the Government about our abortion laws, pointing out that we were breaking Human Rights laws, and that the Government treated Irish women* like vessels.Joan Burton, the Tánaiste, said that there will be no referendum on abortion in this Government’s lifetime. They’re literally saying that they don’t care enough to rectify Human Rights breaches.I am NOT a vessel, and neither are you. Make your voice heard. Come to the March for Choice on the 27th of September in Dublin. Never give up, never stay quiet.

This has only been up since last night and LADS, the NOTES. Keep spreading the word!

I am Canadian, and I’m sorry to say until I read this I didn’t know anything about what you women were going through.This is completely disgusting, I can’t even believe what you’re going through.And I wish I could come out there and march with you.But I don’t have the money so I can’t.But I’m going to keep reblogging this, and sharing it. And I hope all my followers will too.This is important people, no matter what gender you are or what country you’re in, everyone deserves their basic human rights, and we need to stand together until this becomes a reality.So please spread the word for these women.

darebearlee:

josiephone:

josiephone:

Okay guys, I’m going to get serious for a minute. 
If you’re not in Ireland at the moment, you may not know about the situation regarding the laws on abortion. It is completely illegal, even in cases of rape, incest, fatal foetal abnormality, and other such things. 

Women have died in this country because inability to have an abortion put strain on their health. A woman who wasn’t even Irish begged for an abortion because her child was about to die in the womb. The complications arising from her case resulted in her contracting septicaemia, organ failure, and tragically dying. 
In 1992, the X Case took place, involving a 14-year-old girl, knowns only as x, who became pregnant after being raped. Instead of offering help to the girl, who because suicidal, they prevented her from travelling out of the country for an abortion.

Any Irish woman* who needs an abortion has to travel to the UK, which means if you don’t have the money, you’re out of luck. What does the Irish Government have to say about this?

Well, recently the UN confronted the Government about our abortion laws, pointing out that we were breaking Human Rights laws, and that the Government treated Irish women* like vessels.

Joan Burton, the Tánaiste, said that there will be no referendum on abortion in this Government’s lifetime. They’re literally saying that they don’t care enough to rectify Human Rights breaches.

I am NOT a vessel, and neither are you. Make your voice heard. Come to the March for Choice on the 27th of September in Dublin. 

Never give up, never stay quiet.

This has only been up since last night and LADS, the NOTES. Keep spreading the word!

I am Canadian, and I’m sorry to say until I read this I didn’t know anything about what you women were going through.
This is completely disgusting, I can’t even believe what you’re going through.
And I wish I could come out there and march with you.
But I don’t have the money so I can’t.
But I’m going to keep reblogging this, and sharing it.
And I hope all my followers will too.
This is important people, no matter what gender you are or what country you’re in, everyone deserves their basic human rights, and we need to stand together until this becomes a reality.
So please spread the word for these women.

(via turkeybaconese)

31,648 notes

Anonymous asked: nikki minaj is a gross fuck who is overly sexual and uses too many swear words I'd rather listen to something decent like mozart.

shitrichcollegekidssay:

vivalafro:

shitrichcollegekidssay:

image

Mozart - “Leck mich im Arsch” - Canon in B flat for 6 Voices, K. 231 / K. 382c

ok.

mozart writes about getting that ass licked

nicki sings about getting that ass licked

both true musical masters, honestly

The way art is suppose to be

38,339 notes

theblacksophisticate:

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.
With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.
It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.
Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.
This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

The more you know.

theblacksophisticate:

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.

With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.

It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.

Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.

This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

The more you know.

(Source: melanskyyworld, via one-billion-years-dungeon)